Recording An Entire Rock Band With One Mic

I just saw a video done by Graham Cochrane where he records a rock band one track at a time, using just one mic. I thought is was funny in a way because that’s how I record everything pretty much:). I don’t have a band with me all the time, so I just play all the instruments and sing all the vocals myself (well, my wife and I sing all the vocals frequently). This is simply what you have to do under certain circumstances – be it lack of space, lack of money (for a lot of good gear or studio time), inability to get the band together, you name it.

Because of this, I think this is normal. Actually, in my case I do use two mics (shock! horror!) usually. That’s because on acoustic guitar, I like the sound of the Shure SM81. On vocals I always use a large-diaphragm condenser, usually my Rode NT2-A. But the concept is the same.

One thing Graham does here that I don’t do because I don’t have a drum kit (wife says “no drum kit until we get a house with a basement” – shya). I use virtual drums when I need a full kit. So I really learned something here about recording and entire drum kit at once with only one mic. Graham uses the over-the-shoulder technique with the mic just over the drummer’s right shoulder (for a right-handed drummer). It has several advantages explained by Graham here.

Anyway, the result is pretty awesome. But that didn’t surprise me. My constant harangue is “you can make awesome sounding recordings without expensive gear and without a lot of gear.” You just have to know what you’re doing.

By the way, Graham used the new Avid Fast Track Solo interface, which I am going to review as soon as I get a review copy. Otherwise I’ll have to buy like my 9th interface. Sheesh. Oh well, that’s another story for another day.

Here is the video I mentioned:

0 comments on “Recording An Entire Rock Band With One Mic”

  1. But maybe you have everyone in the rehearsal studio together, and you want a great-sounding recording to hear how you all sound together. Maybe you prefer live-recording to capture that chemistry of a live performance, that can never quite be replicated with overdubbing. Maybe you are seeing one of your favorite bands play live, and you have the opportunity to record the performance. This guide will help you capture that performance with the most clarity and professionalism possible, even if you are limited to just two mics for the whole band. I’ll give the advice with two scenarios in mind- a live band in a rehearsal studio, and a live band in a small or medium venue, like a bar or club. It might be hard to believe, but before the mid-19, a lot of popular music was recorded with shockingly primitive approaches. Recording an entire band live in the studio, with just one or two mics for the entire band, was not uncommon. Many small studios didn’t have the budget for more equipment, and many bands didn’t have the budget to book much time.

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